The Color Experts You Can Count On. Many designers who are new to preparing artwork for CMYK often make the mistake of setting the CMY (cyan, magenta, yellow) values at 0%, and the K (black) value at 100%. Standard black consists of black ink (100% K) and nothing else, while rich black also contains Cyan, Magenta, and Yellow. Therefore, when you print a CMYK document and you need a really rich black it’s important to remember one thing: 100% K isn’t the blackest black (that’s … C 0%, M 0%, Y 0%, K 100% In printing, there are two types of black: standard black and rich black. Standard black uses only black ink (100% K), whereas rich black contains elements of other colors (Cyan, Magenta, Yellow). C0, M0, Y0, K100 usually result in very dark gray colors but not rich in black. Deep rich black is an ink mixture of solid black, 100% K, with additional CMY ink values. The "out of the box" black in Photoshop is a rich black build of 75C, 68K, 67Y, 90K. C0, M0, Y0, K100 will usually result in a very dark gray, but not a rich black. This setting is the result of the conversion from real black to RGB to CMYK. Please note that the below are not precise measurements but rather basic recommendations about what our tests have shown to be the best mix of color for a good black. For black, use solid or rich-black values. Beside of this the tool also can convert other color values to CMYK and replace specific colors within a given tolerance even supporting anti-aliased images. I'm using Ghostscript 9.22 to convert a PDF to CMYK, but can't seem the get the right CMYK-values for a black colored graphic object: input PDF (rgb): contains 2 images and 1 (black, R: 0%, G: 0%, B: 0%) graphic. Whereas the RGB values focus on a 3-color combination, the CMYK values focus on 4-color combinations. The true black color is rich in its own color and it does not contain a shade or tiny amount of any other similar color. or rich black. The printing industry has many definitions of A standard black is made up of just the black ink, the K value in CMYK, and nothing else. When you print black alone as 100% K, the resultant black … On pages that have a lot of cool colors in them, they use a cool rich black that only adds cyan to the black (60C, 0M, 0Y, 100K). The problem with using C75, M68, Y67, K90 is that it will not print very rich black. In print, there are several ways to represent black, including "rich black". Rich Black CMYK Value. The problem with using C75, M68, Y67, K90 is that it will not print very rich black. Rich black has a little of the Cyan, Magenta and Yellow in it as well. In both black and white printing and full colour CMYK printing, black ink can change dramatically. Remember, you should always be careful when using black to make the colours darker. The other way to create a rich black is to mix 60% Cyan, 40% Magenta, 40% Yellow, and again 100% Black (60, 40, 40, 100 - CMYK). For a cooler black try 80C, 20M, 20Y, 100K. In CMYK 240% is pretty much the limit with color mixing. Instead, RGB black is equivalent to CMYK of 75, 68, 67, 90. It's become common to misuse the term "rich black" when referring to black that was intended to be 100%K, but somehow inadvertently entered the realm of RGB at some point, and is now reconverted to CMYK with values something like 69.5%C, 67.2%M, 63.7%Y, 73.8%K. Use the recommended values below for CMYK, HEX, and RGB color spaces to achieve the most desirable gold across print and digital platforms. Whereas in a CMYK color space, it is composed of 100% cyan, 0% magenta, 0% yellow and 74.9% black. This code is composed of a hexadecimal 00 red (0/256), a 40 green (64/256) and a 40 blue component (64/256). 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